CRISIS - one PSM 0038

Oriental instruments for the Arabian nights. Melancholic and deep in thoughts. Ambient, a bit mystic and dynamic.

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1.

A song dominated by a calm acoustic guitar. Melancholic and thoughtful mood. Strings and subtle female choir sequences.
Composed by Sid Sonic, Ryan Gold, Hassan Al Assadi

4.

Electric guitar, mysterious claps and dark synthesizer effects in the beginning. Oriental mood and atmosphere created by traditional instruments and oriental rythm.
Composed by Sid Sonic, Ryan Gold

7.

Ideal for pictures of abandoned places, rough times and miserable fates. Electric guitar and hand drums create a sense of menace and sorrow.
Composed by Sid Sonic, Ryan Gold

10.

Calm and laid-back song - like the calm before the storm. Ideal for pictures of landscapes and small villages.
Composed by Sid Sonic, Ryan Gold

14.

Slow tempo and traditional oriental instruments. Sad and depressive mood. Works for human portraits and documentation about civilians in the war in the Middle East.
Composed by Sid Sonic, Ryan Gold

18.

Starts with dark piano, synthesizer and drums set in. Ideal for images of desperation, threat and aftermath of the war.
Composed by Sid Sonic, Ryan Gold

21.

Ambient, melancholic and oriental song. Rattling sound like a rattlesnake. Belly-dance rhythm. Melancholic memory of oriental tradition is overshadowed by impending danger.
Composed by Sid Sonic, Ryan Gold

25.

Battle music. Works for images of bomb explosions, danger, human misery and approaching ground forces. Synthesizer, bass and drums.
Composed by Sid Sonic, Ryan Gold

29.

Oriental instruments for the Arabian nights in a melancholic way. Ambient, deep in thoughts, melancholic, a bit mystic and dynamic.
Composed by Sid Sonic, Ryan Gold

33.

Dynamic, propulsive and hopeful track with strings, electric guitar, synthesizer and drums.
Composed by Sid Sonic, Ryan Gold

37.

Threat and military interventions create a dangerous mood. Impulsive synthesizer and trumpets.
Composed by Sid Sonic, Ryan Gold

40.

Synthesizer creates a weird sound, ideal for images of dark vaults, dangerous situations and threat .
Composed by Sid Sonic, Ryan Gold

44.

Threatening bass, traditional instruments give an oriental touch to this track. Works for images of violence, horror and fear.
Composed by Sid Sonic, Ryan Gold

47.

Starts with an ambient sound, slow start, despite an overall melancholic mood, synthesizer sets accents of hope.
Composed by Sid Sonic, Ryan Gold

51.

Slow ambient start with synthesizer and sound of wind bells lead to a threatening and hopeful mood of existential threat.
Composed by Sid Sonic, Ryan Gold

55.

Dark track, ambient and reduced synthesizer create an impression of danger and threat. The Sword of Damocles hovers above this track.
Composed by Sid Sonic, Ryan Gold

59.

Slow, ambient start becomes faster during the song. Unobtrusive, ideal for ambitious reports on war and conflict zones.
Composed by Sid Sonic, Ryan Gold

63.

Slow, ambient start becomes faster during the song. Unobtrusive, ideal for ambitious reports on war and conflict zones.
Composed by Sid Sonic, Ryan Gold

66.

Danger, misery and faces of victims are audible. Synthesizer and deep bass have a strong effect. Structured by oriental elements.
Composed by Sid Sonic, Ryan Gold, Janko Raseta

69.

Unobtrusive, slow synthesizer creates a dark atmosphere which emphasizes open questions and doubts on eyewitness reports.
Composed by Sid Sonic, Ryan Gold

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